{"id":1159,"date":"2020-08-02T13:28:01","date_gmt":"2020-08-02T12:28:01","guid":{"rendered":"http:\/\/quidelombre.unblog.fr\/?p=1159"},"modified":"2020-08-02T13:28:01","modified_gmt":"2020-08-02T12:28:01","slug":"reflexion-dun-ete","status":"publish","type":"post","link":"https:\/\/quidelombre.fr\/?p=1159","title":{"rendered":"R\u00e9flexion d’un \u00e9t\u00e9"},"content":{"rendered":"

\"Lucas_Cranach_the_Elder_-_Apollo_and_Diana_\"<\/a><\/p>\n

R\u00e9flexion d’un \u00e9t\u00e9<\/b><\/span><\/i><\/p>\n

En relisant les po\u00e8mes de ma ch\u00e8re Anna, je suis tomb\u00e9 sur un ovni, objet versifi\u00e9 non identifi\u00e9, que je mets ici, modestement, en perspective.<\/p>\n

Michel-Ange dans ses Sonnets formule ainsi le v\u00e9ritable amour :<\/p>\n

\u00ab\u00a0Je dois aimer en toi cette part que toi-m\u00eame tu aimes ; c’est ton \u00e2me. Pour m’\u00e9prendre de ton \u00e2me, il me faut puiser non en mon corps seul, mais bien en mon \u00e2me\u00a0\u00bb.<\/p>\n

Anna de Noailles, la po\u00e9tesse de sang princier \u00e0 cheval sur deux si\u00e8cles, en n\u00e9gatif, nous livre ici, un po\u00e8me sur l’amour de surface, qui ne peut qu’\u00eatre que de glace face au feu de la passion.<\/p>\n

Surface et profondeur de l’amour ; trop souvent nous nous arr\u00eatons (dans tous les sens du terme) aux \u00e9vidences corporelles, alors m\u00eame qu’elles sont surtout, aussi, un chemin vers une densit\u00e9, une authenticit\u00e9 vertigineuses. La dur\u00e9e de l’amour se nourrit de tous les instants, de tous les \u00e9tats d’\u00e2me, le temps de l’amour est davantage prisonnier de l’instant (aveugl\u00e9 par lui), de l’instinct, et confond l’avoir et l’\u00eatre.<\/p>\n

Si nous cherchons l’accord de l’autre et pas seulement son corps, il faut entendre cet accord comme une entente, une correspondance qui engage les \u00eatres plus loin qu’ils ne le veulent, ou le peuvent.<\/p>\n

Oui, l’Amour est harmonie !<\/b><\/i><\/p>\n

 <\/p>\n

Dissuasion, <\/span>c’est le titre de ce curieux po\u00e8me extrait du C\u0153ur innombrable de 1901. Notez le mot moins commun aujourd’hui de munificence au sens de g\u00e9n\u00e9rosit\u00e9. Le titre, je ne sais pas pourquoi, me semble peu po\u00e9tique, et se trouve plac\u00e9 entre deux chansons (deux po\u00e8mes), la chaude chanson et la chanson du temps opportun, comme si Anna avait chass\u00e9 un moustique le temps d’une m\u00e9ditation champ\u00eatre.<\/p>\n

 <\/p>\n

Fermez discr\u00e8tement les vitres sur la rue<\/p>\n

Et laissez retomber les rideaux alentour,<\/p>\n

Pour que le grondement de la ville bourrue<\/p>\n

Ne vienne pas heurter notre fragile amour.<\/p>\n

 <\/p>\n

Notre tendresse n’est ni vive ni fatale,<\/p>\n

Nous aurions tr\u00e8s bien pu ne nous choisir jamais ;<\/p>\n

Je vous ai plu par l’art de ma douceur \u00e9gale,<\/p>\n

Et c’est votre tristesse am\u00e8re que j’aimais.<\/p>\n

 <\/p>\n

La peine de nos c\u0153urs est trop pareille, et telle<\/p>\n

Que nous nous m\u00ealerions sans nous renouveler :<\/p>\n

\u00c9vitons le mensonge et la br\u00e8ve \u00e9tincelle<\/p>\n

D’un d\u00e9sir qui nous luit sans pouvoir nous br\u00fbler.<\/p>\n

 <\/p>\n

La vie a mal gard\u00e9 ce que nous lui donn\u00e2mes,<\/p>\n

Rien du confus pass\u00e9 ne peut se ressaisir ;<\/p>\n

Nous aurions tous les deux trop piti\u00e9 de nos \u00e2mes,<\/p>\n

Apr\u00e8s l’oubli l\u00e9ger et fuyant du plaisir :<\/p>\n

 <\/p>\n

Car nous entendrions sangloter notre enfance<\/p>\n

Pleine de maux secrets, toujours inapais\u00e9s,<\/p>\n

Que ne rach\u00e8te pas, dans sa munificence,<\/p>\n

La r\u00e9paration tardive des baisers…<\/p>\n

 <\/p>\n

Pour conclure, Anna se montre ici \u00e9picurienne, au sens noble, car elle ne refuse ni les baisers, ni le plaisir, mais elle sait que ces caresses du corps ne pourront pas apaiser la douleur de l’\u00e2me, cette blessure m\u00e9taphysique qui n’a pas de rem\u00e8de, sinon des rem\u00e9diations. En m\u00eame temps, elle ne parle que du coeur, comme si elle excluait d’embl\u00e9e l’\u00e2me de ce jeu.
\n<\/i><\/p>\n

Si vous avez l’occasion d’aller au P\u00e8re-Lachaise vous pourrez vous arr\u00eater sur sa tombe, mais son sacr\u00e9 c\u0153ur est \u00e0 Amphion-les-Bains en Haute Savoie, quant \u00e0 son \u00e2me ?<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9flexion d’un \u00e9t\u00e9 En relisant les po\u00e8mes de ma ch\u00e8re Anna, je suis tomb\u00e9 sur un ovni, objet versifi\u00e9 non identifi\u00e9, que je mets ici, modestement, en perspective. Michel-Ange dans ses Sonnets formule ainsi le v\u00e9ritable amour : \u00ab\u00a0Je dois aimer en toi cette part que toi-m\u00eame tu aimes ; c’est ton \u00e2me. Pour m’\u00e9prendre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,19],"tags":[47,48,206,215],"class_list":["post-1159","post","type-post","status-publish","format-standard","hentry","category-coup-de-coeur","category-poesie","tag-amour","tag-anna-de-noailles","tag-poeme","tag-quidelombre"],"yoast_head":"\nR\u00e9flexion d'un \u00e9t\u00e9 - Quidelombre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/quidelombre.fr\/?p=1159\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9flexion d'un \u00e9t\u00e9 - Quidelombre\" \/>\n<meta property=\"og:description\" content=\"R\u00e9flexion d’un \u00e9t\u00e9 En relisant les po\u00e8mes de ma ch\u00e8re Anna, je suis tomb\u00e9 sur un ovni, objet versifi\u00e9 non identifi\u00e9, que je mets ici, modestement, en perspective. 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