{"id":273,"date":"2009-01-28T22:04:03","date_gmt":"2009-01-28T20:04:03","guid":{"rendered":"http:\/\/quidelombre.unblog.fr\/2009\/01\/28\/promise\/"},"modified":"2009-01-28T22:04:03","modified_gmt":"2009-01-28T20:04:03","slug":"promise","status":"publish","type":"post","link":"https:\/\/quidelombre.fr\/?p=273","title":{"rendered":"Promise"},"content":{"rendered":"

\"rodolphe.jpg\"<\/a>\"ink.jpg\"<\/a><\/em><\/p>\n

Promise<\/em>, The Dining Rooms & Rodolph Burger<\/p>\n

Tir\u00e9\u00a0du\u00a05\u00e8me album (fin 2007)\u00a0du groupe milanais The Dining Rooms compos\u00e9 de Cesare Malfatti et Stefano Ghittoni, associ\u00e9 \u00e0 Rodolph Burger (Kat Onoma), sa voix donnant \u00e0 la musique imag\u00e9e, noctambule et nyctalope du duo\u00a0une dimension nouvelle, une chaleur humaine \u00e0 la fois chaude et gla\u00e7ante de d\u00e9sespoir.<\/p>\n

Le texte de Promise est une illustration parfaite des propos de Merleau-Ponty quand il nous dit dans la\u00a0Ph\u00e9nom\u00e9nologie de la perception qu’une \u00ab\u00a0parole importante, un bon livre imposent leur sens\u00a0\u00bb. Les mots ici ne sont pas que des sons livr\u00e9s \u00e0 une oreille\u00a0sourde et tir\u00e9s d’une langue morte r\u00e9pertori\u00e9e.\u00a0Les mots d\u00e9bordent de sens mais ne perdent pas l’essence de l’intention exprim\u00e9e.\u00a0Comment s’assurer que la pens\u00e9e export\u00e9e rencontre la pens\u00e9e exprim\u00e9e ? Merleau-Ponty fait le lien entre les couleurs en peinture et les mots en langage, autant la couleur seule, isol\u00e9e, n’exprime rien, autant le mot est trompeur, car il semble respirer d’un reste de vie (pratico-inerte) qui donne une illusion de sens. Or il y a des mots qui ne sont que des sons tant ils ont besoin de la pens\u00e9e pour exister authentiquement.<\/strong><\/p>\n

Comme (c’est pour toi Sandrine<\/em>) dans le po\u00e8me de Saint-John Perse (tir\u00e9 de Amers):<\/p>\n

Tu es l\u00e0, mon amour et je n\u2019ai lieu qu\u2019en toi<\/span>. J\u2019\u00e9l\u00e8verai vers toi la source de mon \u00eatre, et j\u2019ouvrirai ma nuit de femme, plus claire que ta nuit d\u2019homme ; et la grandeur de moi t\u2019enseignera peut-\u00eatre la gr\u00e2ce d\u2019\u00eatre aim\u00e9. Licence alors aux jeux du corps ! offrande, offrande, et faveur d\u2019\u00eatre ! la nuit t\u2019ouvre une femme : son corps, ses havres, son rivage ; et sa nuit ant\u00e9rieure o\u00f9 g\u00eet toute m\u00e9moire. L\u2019amour en fasse son repaire !<\/p>\n

Les mots sont la condition n\u00e9cessaire mais jamais suffisante de la pens\u00e9e…<\/strong><\/span><\/p>\n

Pour en revenir \u00e0 Rodolphe, sur la version fran\u00e7aise de l’album, il y a une version italienne (la Stanza) de la perle \u00e9ternelle, de l’ovni (objet valant non identifiable) sensoriel qu’est la Chambre (in Far from the pictures 1993).<\/p>\n

Dans ma chambre vous croqueriez une pomme petite vous tremperiez
\nDans le th\u00e9 des langues de chat
\nEn silence
\nEt apr\u00e8s le d\u00e9bat comme dit Casanova
\nFron\u00e7ant les sourcils vous diriez …<\/em><\/p>\n

Promise\u00a0<\/span><\/p>\n

Mon amour, tu as tu\u00e9 mon amour.
\nNotre interminable, tu l\u2019as mis minable.
\nTu semblais si noble et belle alit\u00e9e, pouvais-je pr\u00e9voir ta banalit\u00e9?
\nTu m\u2019avais promis une coupe franche si le d\u00e9sir flanche.
\nTu es la victime des serments sublimes que l\u2019on fait dans les films.
\nCar tu as les yeux plus gros que le coeur et le coeur au bord des l\u00e8vres, tu mords.
\nLe prix des promesses baisse, baisse.
\nLe prix de l\u2019amour, il court toujours.
\nToi qui m\u2019as promis franchise et clart\u00e9, tu as bien tu tes petits app\u00e9tits.
\nTu m\u2019as fait le coup, bas, des coups de fil, de qui se d\u00e9file en parlant tout bas.
\nPourtant le mini, joli, vilainie, tant d\u2019ignominie.
\nAs-tu un permis?
\nLe prix des promesses, il est en baisse.
\nLe prix de l\u2019amour, il court toujours.
\nQuand l’amant songe au mensonge amass\u00e9, il rit de ses hauts, le coeur caboss\u00e9, j\u2019ai le coeur gel\u00e9.
\nMauvaise, \u00e0 vrai dire, la naus\u00e9e je l\u2019ai.
\nTrop pour te maudire.
\nJe te laisse aller.
\nAvec tes amis <\/em><\/p>\n

A<\/em>llez! je te laisse.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Promise, The Dining Rooms & Rodolph Burger Tir\u00e9\u00a0du\u00a05\u00e8me album (fin 2007)\u00a0du groupe milanais The Dining Rooms compos\u00e9 de Cesare Malfatti et Stefano Ghittoni, associ\u00e9 \u00e0 Rodolph Burger (Kat Onoma), sa voix donnant \u00e0 la musique imag\u00e9e, noctambule et nyctalope du duo\u00a0une dimension nouvelle, une chaleur humaine \u00e0 la fois chaude et gla\u00e7ante de d\u00e9sespoir. Le […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,17,19],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","hentry","category-musique","category-philosophie","category-poesie"],"yoast_head":"\nPromise - Quidelombre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/quidelombre.fr\/?p=273\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Promise - Quidelombre\" \/>\n<meta property=\"og:description\" content=\"Promise, The Dining Rooms & Rodolph Burger Tir\u00e9\u00a0du\u00a05\u00e8me album (fin 2007)\u00a0du groupe milanais The Dining Rooms compos\u00e9 de Cesare Malfatti et Stefano Ghittoni, associ\u00e9 \u00e0 Rodolph Burger (Kat Onoma), sa voix donnant \u00e0 la musique imag\u00e9e, noctambule et nyctalope du duo\u00a0une dimension nouvelle, une chaleur humaine \u00e0 la fois chaude et gla\u00e7ante de d\u00e9sespoir. 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