{"id":305,"date":"2009-03-12T15:02:15","date_gmt":"2009-03-12T13:02:15","guid":{"rendered":"http:\/\/quidelombre.unblog.fr\/2009\/03\/12\/le-grand-soir-des-meteors-dindochine\/"},"modified":"2009-03-12T15:02:15","modified_gmt":"2009-03-12T13:02:15","slug":"le-grand-soir-des-meteors-dindochine","status":"publish","type":"post","link":"https:\/\/quidelombre.fr\/?p=305","title":{"rendered":"Le Grand Soir des Meteors d&rsquo;Indochine !"},"content":{"rendered":"<p align=\"justify\"><a href=\"http:\/\/quidelombre.unblog.fr\/files\/2009\/03\/sortiedelarepubliquedesmeteors11ealbumdindochine.jpg\" title=\"sortiedelarepubliquedesmeteors11ealbumdindochine.jpg\" class=\"imagelink\"><img decoding=\"async\" src=\"http:\/\/quidelombre.unblog.fr\/files\/2009\/03\/sortiedelarepubliquedesmeteors11ealbumdindochine.vignette.jpg\" alt=\"sortiedelarepubliquedesmeteors11ealbumdindochine.jpg\" \/><\/a>\u00a0<\/p>\n<p align=\"justify\">Presque trente ans apr\u00e8s l&rsquo;aventurier, les aventures de Nicolas nous conduisent aux fronti\u00e8res du r\u00e9el, avec une inspiration qui unit le pr\u00e9sent et le pass\u00e9 comme deux r\u00e9alit\u00e9s si proches. Les lettres des Poilus de 14\/18 font la substance d&rsquo;une r\u00e9flexion au pr\u00e9sent. L&rsquo;album s&rsquo;\u00e9coute dans sa globalit\u00e9, comme si chaque chanson pr\u00e9parait la suivante, il y a une r\u00e9elle unit\u00e9 dans la construction m\u00e9lodique, les transitions soign\u00e9es alimentent une saisie dans la continuit\u00e9. C&rsquo;est selon moi un album plus serein, bien ma\u00eetris\u00e9, il a une signature bien identifiable, faite d&rsquo;aspects syncop\u00e9s et d&rsquo;\u00e9chos discrets d&rsquo;autres albums (comme sur Play Boy\/3\u00e8me sexe). Il n&rsquo;est pas moins rock que les pr\u00e9c\u00e9dents, il est certainement plus personnel. La pr\u00e9sence d&rsquo;un Nicolas Sirkis s&rsquo;interrogeant sur le sens est ind\u00e9niable. Si\u00a0 <strong>Little Dolls<\/strong> et <strong>les Aubes sont mortes<\/strong> ou <strong>Junior Song<\/strong>\u00a0retiennent l&rsquo;attention des auditeurs\/fans, j&rsquo;ai plut\u00f4t \u00e9t\u00e9 sensible \u00e0 la profondeur du <strong>Grand soir. <\/strong>On se souvient de la chanson des tranch\u00e9es : <font color=\"#990000\">\u00ab\u00a0Ah tu l&rsquo;auras ta croix, si c&rsquo;est pas la croix de fer, ce sera la croix de bois\u00a0\u00bb<\/font> ! Le texte du Grand soir fonctionne en transition des bruits de bottes autour de cette id\u00e9e. Le mort qui se souvient, la mort qui laisse penseur. Le temps est aboli, <em>\u00ab\u00a0il est tomb\u00e9 l&rsquo;ancien enfant\u00a0\u00bb,<\/em> il est tombe, il est mort. Le texte nous conduit \u00e0 l&rsquo;association de la perte qui \u00e9chappe au temps en plongeant dans les t\u00e9n\u00e8bres de l&rsquo;\u00e9ternit\u00e9. La musique comme une rengaine se poursuit comme m\u00e9caniquement, c&rsquo;est la perte des rep\u00e8res, <em>\u00ab\u00a0ici on ne sait pas quel jour on vit\u00a0\u00bb. \u00ab\u00a0Je viens du ciel\u00a0\u00bb <\/em>comme l&rsquo;annonce d&rsquo;une r\u00e9incarnation, \u00ab\u00a0<em>un joli No\u00ebl<\/em>\u00ab\u00a0, avec pour suivre un Ange \u00e0 notre table.<\/p>\n<p align=\"justify\">Merci d&rsquo;exister encore !<\/p>\n<p align=\"justify\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Presque trente ans apr\u00e8s l&rsquo;aventurier, les aventures de Nicolas nous conduisent aux fronti\u00e8res du r\u00e9el, avec une inspiration qui unit le pr\u00e9sent et le pass\u00e9 comme deux r\u00e9alit\u00e9s si proches. Les lettres des Poilus de 14\/18 font la substance d&rsquo;une r\u00e9flexion au pr\u00e9sent. L&rsquo;album s&rsquo;\u00e9coute dans sa globalit\u00e9, comme si chaque chanson pr\u00e9parait la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-305","post","type-post","status-publish","format-standard","hentry","category-musique"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Grand Soir des Meteors d&#039;Indochine ! - Quidelombre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/quidelombre.fr\/?p=305\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Grand Soir des Meteors d&#039;Indochine ! - Quidelombre\" \/>\n<meta property=\"og:description\" content=\"\u00a0 Presque trente ans apr\u00e8s l&rsquo;aventurier, les aventures de Nicolas nous conduisent aux fronti\u00e8res du r\u00e9el, avec une inspiration qui unit le pr\u00e9sent et le pass\u00e9 comme deux r\u00e9alit\u00e9s si proches. Les lettres des Poilus de 14\/18 font la substance d&rsquo;une r\u00e9flexion au pr\u00e9sent. L&rsquo;album s&rsquo;\u00e9coute dans sa globalit\u00e9, comme si chaque chanson pr\u00e9parait la [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/quidelombre.fr\/?p=305\" \/>\n<meta property=\"og:site_name\" content=\"Quidelombre\" \/>\n<meta property=\"article:published_time\" content=\"2009-03-12T13:02:15+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/quidelombre.unblog.fr\/files\/2009\/03\/sortiedelarepubliquedesmeteors11ealbumdindochine.vignette.jpg\" \/>\n<meta name=\"author\" content=\"Frapalon\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Frapalon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305\"},\"author\":{\"name\":\"Frapalon\",\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/#\\\/schema\\\/person\\\/0cdc604e968aa121786eacbcffe4478a\"},\"headline\":\"Le Grand Soir des Meteors d&rsquo;Indochine !\",\"datePublished\":\"2009-03-12T13:02:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305\"},\"wordCount\":337,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/quidelombre.unblog.fr\\\/files\\\/2009\\\/03\\\/sortiedelarepubliquedesmeteors11ealbumdindochine.vignette.jpg\",\"articleSection\":[\"Musique\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/quidelombre.fr\\\/?p=305#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305\",\"url\":\"https:\\\/\\\/quidelombre.fr\\\/?p=305\",\"name\":\"Le Grand Soir des Meteors d'Indochine ! 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